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Meet Girl Group, the DIY Feminist Pop Act Backed by Elton John

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Meet Girl Group, five close friends who met at college, bonded over feminist rants in their kitchen, and ended up forming one of the most exciting new DIY pop acts.

Their shared home quickly became the backdrop for creative chaos, late-night writing sessions, and the start of something bigger; a band built on friendship, frustration, and a desire to take up space.

After feeling sidelined in male-dominated studio spaces, they decided to take control and build something of their own. The result? Girl Group, a band that’s as much about catchy brat-pop bangers as it is about community, collaboration, and making space for women in music.

Their debut EP Think They’re Looking, Let’s Perform was out 20th June via Boys Boys Boys, the new Polydor imprint. It’s a self-written and self-produced release that blends sharp social commentary with slick, infectious hooks.

Lead single “Yay! Saturday” has gained early support from Elton John, who said “It’s a wonderful single”, scored a 10/10, won BBC Radio 6’s Roundtable and landed them playlist spots on BBC Radio 1, Apple Music, Spotify, and Norway’s P3.

Girl Group have thrown DIY launch parties in Dalston basements, hosted mock-press conferences at art galleries, and this summer they’re stepping onto their first UK festival stages (from Liverpool’s Sound City to by:Larm in Oslo) with their all-female team behind the scenes.

We caught up with the band ahead of the EP drop to talk about flink pike syndrome, friendship-fuelled creativity, and the joys (and chaos) of finishing a track when five people have five different opinions.

How did Girl Group come together?

What made you want to start creating music as a collective? We often credit the feminist rants we routinely had in first year with the creation of Girl Group.

One night while having pre’s in our kitchen, we’d started talking about how there seemed to be a bit of a ‘boys club’ at our uni.

There was a distinct culture amongst the boys of going to the studio and collaborating, whereas that culture didn’t seem to exist among the girls. Girls would rarely be invited to sessions with the boys too. If they were, it was on a guest-only basis, rather than as a collaborator/an equal.

It was from there that we decided to go to the studio ourselves and try to create that culture between ourselves and other women… but then we started writing Life Is Dumb and said, “Why don’t we be a girl group?”.

“Flink Pike” is such a standout track can you talk a bit more about that term and how the song came together?

The Norwegian term ‘flink pike’ (meaning ‘good girl’) relates to a phenomenon and medical syndrome caused by perfectionism, particularly in young girls. Women are taught from a young age that they must be everything to everyone, all at once. You must be the party girl who isn’t afraid to have fun but also get straight As, as well as being a kind friend, girlfriend, and family member.

This had been a song idea for us for some time, as it was something we all felt we related to and cared about addressing. It was Katya that had started writing Flink Pike - she had actually written about 5 different versions of each section… when we saw the shared note she’d been working in we were all like “Wow, you are fascinating”. Thing is, that’s flink pike syndrome at its finest!

You’ve built a real sense of community around Girl Group. How do you keep that energy going?

Building community and making people who listen to our music or come see our gigs feel like they are part of Girl Group has been super important for us from the beginning. That sense of community most likely comes from the fact that we’re all such good friends. We were friends before we were band mates, which we feel does a lot for the dynamic of the group.

We’ve lived together for years, studied together, and now worked full time alongside each other, so we’re incredibly close. If the friendship we have for each other can exude beyond us to our audience members, then we’re incredibly happy<3 What’s been on rotation in the Girl Group house lately?

What’s your favourite/least favourite thing about making music? 

We love being in the studio writing new stuff, and being on stage, singing and dancing around. They’re the bits that really make us feel like we’re living our childhood dreams. There is of course a lot of tedium in the creation process. Finishing songs is always the worst. Plus, as we’re all equal writers on every song, it can sometimes take forever to land on the smallest decision.

We’re also all extremely opinionated and different from one another, so we can spend hours dissecting one line. In some of these sessions, we can find ourselves sat around thinking “How the hell is this ever going to sound good?”, but then all of a sudden it clicks, and we all start to love it.

Any songs or artists you have on repeat? 

ADDISON RAE’S NEW ALBUM! We think she’s incredible. The sexy, unapologetic attitude that punches through her songs, that are all about longing for fame and money, is a beautiful reclamation of the ‘gold-digging, media-whore’ that we’ve been trained to see in women in the public eye. It also has such a nostalgic sound, reminding us of our favourite girlypop tunes from the early 00s. Love her.

Listen to Girl Group’s Debut EP Think They're Looking, Let's Perform

Follow Girl Group: Instagram | Tiktok

Nat Oaks on Finding Her Voice in Alternative Hip-Hop

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London-based singer-songwriter Nat Oaks is gaining recognition across the alternative hip-hop and indie pop scenes. Her latest single, ‘The Way You Want Me’, released during Pride Month 2025, marks a new chapter in her sound—moving away from people-pleasing and toward self-acceptance.

Following standout performances on the Main Stage at Love Saves The Day, Little Simz’s Meltdown Festival at the Southbank Centre, and her Glastonbury debut after placing second in the 2025 Glastonbury Emerging Talent Competition, Nat is making her mark on some of the UK’s most celebrated stages.

Influenced by artists like Loyle Carner, Arlo Parks, and Little Simz, she blends alternative hip-hop, R&B, and indie pop into a distinctive, emotionally honest style. Her live shows have led to support slots with Jelani Blackman, Pip Millett, and Master Peace, while her identity as a queer artist continues to shape her work and perspective.

We caught up with Nat as she enters a pivotal summer to talk new music, live shows, and letting go of expectations.

What’s the story behind your new single The Way You Want Me’?

The Way You Want Me came during one of the last mornings of a songwriting camp in the Cotswolds. My producer MSTRY had come up with a beat from the couch, and I mumbled over it coming up with a theme pretty quickly. I found myself reflecting on the position I was currently in – just wanting to enjoy the moment and not take things too seriously. I’m always cautious of not wanting to just make love songs, so this was a fun way to approach the topic.

How do you build trust and chemistry in a songwriting session, especially when time is limited, like at a camp?

I like to dedicate good time to get to know the other writers. It’s sets an important basis which allows us to open up and be more vulnerable. It’s generally a supporting environment because everyone comes wanting to make great music. I love getting to know them because it also gives you good insight to how they come up with lyrics, which helps me to adapt my own style and be more creative.

You’ve hit some huge stages this year at Love Saves The Day, Meltdown with Little Simz, and Glastonbury. What have those live moments taught you about performance, confidence, or connecting with a crowd?

I’ve been performing for five years now, since I was 18. It’s been really fulfilling to feel my confidence grow with every live show. With each show, I get a really warm response and it solidifies in my mind that I’m good at what I do. Once I had that realisation, which only really came about this year, it’s made it so much easier to get on the stage. I now know that the crowd is rooting for you to do well and give them a good show.

Nat Oaks - The Way You Want Me (2025 Glastonbury ETC Runner Up)

Your top tip to artists trying to find their own voice

Firstly, realise that it takes time. The type of songs I wrote and recorded when I was 18 are very different to the ones I make 5 years later. You have to trust yourself that your confidence will build, with each studio session and each show, until the point you know exactly who you are. I’m still on that journey, but feel a lot closer since I give myself the space to try new things and put them out there, no matter how successful they’d end up.

Your top tip to network with the right people in the industry.

Get creative! Remember, you’re your own brand. Be excited about what you have to offer, and take advantage of opportunities to get in the room. This can be attending events, whether industry or live shows, and being open to meeting all types of people. You never know where a conversation could take you. I had a funny experience at The Great Escape three years ago, where I got up on stage to dance (horrifically) with Ants Live. Through this, I met Dellessa James, who leads the exciting black music strategy at Amazon Music with +44.

What’s your favorite/least favorite thing about making music?

When I get the time to make music, I often surprise myself with the lyrics I can come up with. I’ve always known myself as a creative person, even at school writing stories was my favourite thing. Being able to write a song that others can in some way connect to, and able to put on if they’re having a bad day, is really fulfilling. And the best thing about music is the endless possibilities of songwriting. It’s exciting to always feel like you’re yet to make your best song.

What are you listening to at the moment?

I’m listening to Little Simz’s new album Lotus. My favourite songs on there are Enough and Young. Sasha Keble is also filling up my playlist as I’m loving more soulful music at the moment. I’ve been lucky enough to see both of them live recently which brought the songs to life.

Connect with Nat Oaks on Instagram

Dornika: The Iranian Artist Turning Heads with Single 'Baggy Jeans'

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Dornika is a queer Iranian-American emerging pop artist creating music that’s playful, powerful, and full of personality. You might already know her from tracks like Bush, Miniskirt, and Nobody—songs that put her on the radar for her raw lyrics and genre-blurring sound. Now, she’s back with her latest single Baggy Jeans, out April 17.

Blending music, fashion, and performance, Dornika uses her work to explore identity and challenge expectations around gender, beauty, and how we express ourselves. Her sound is a mix of dark electronics, hyperpop, and club bangers—always with a bit of edge and attitude.

She wrote Baggy Jeans during her first US tour, inspired by how people responded to her outfits on the streets of New York and LA—a mash-up of Berlin and NY streetwear that turns heads and sparks conversations. The track celebrates taking up space, especially for women and queer people in scenes where cis men have long been the focus.

Since her debut during the pandemic, Dornika’s played over 100 shows across Europe, including Pride events in Berlin, Munich, and Rotterdam, and festivals like Lollapalooza and Fusion. She’s also teamed up with brands like Spotify and Netflix—but Baggy Jeans is just the beginning of what she’s got planned this year.

We caught up with Dornika to chat about the story behind the song, her love of streetwear, and how she’s creating her own lane—one baggy fit at a time.

Baggy Jeans is rooted in your personal experiences with fashion and identity. Can you tell us about how fashion has helped you explore self-expression over the years?

Fashion has been a part of my life since I was very young. I wanted to be a fashion designer since I was 7 and had a sketchbook full of designs! I feel like growing up in Iran, where women’s bodies are controlled so heavily, fashion is a big part of resistance. Even with the restrictions people still find ways to be creative and individual and you can see that in the progression of fashion over the last decades. Being able to wear what you wantand 

You’ve talked about how people reacted to your style while walking through New York. What did those moments mean to you, especially coming from a background where your choices were often questioned?

I feel like I’ve always turned heads when I’m in a fit wherever I go. Even while I was in Tehran and had to wear hijab and had more limitations, I still put my own flavor on things and managed to make it my own.

I just love to experiment and play around and that’s ultimately what fashion is about! I guess I had a high expectation of New York fashion and was a bit anxious of how my style would be received but the compliments and attention made me feel affirmed in my creative energy and gender expression.

I felt lots of love from New Yorkers and I love how outwardly expressive people are with compliments. Something that I’m not so used to in Berlin hehe

The way you describe your experience in New York — being seen, being affirmed — speaks to something a lot of queer and trans people search for. What would you say to those still searching for that sense of freedom?

I would say don’t be afraid to experiment and try different things on (whether it’s clothes, pronouns or mannerisms) and look for what gives you a spark or a sense of comfort and keep rolling with that. It’s scary sometimes but it’s important to decenter other people’s approval and focus on the inside, trust that wherever you land and feel good in will bring you love and acceptance, even if it’s not from the norm. It first starts with you finding and accepting yourself! 

As someone who works across music, fashion, and visual art, what have you learned about the power of using multiple forms to tell one story?

I feel like for me it’s not just about the music, but about building a world around a concept and telling a story that people can get fully immersed in. Even the music is a tool for embodying the concept I have in mind and the purpose that it serves. When I write a track, I get visions from the beginning about what the visuals could be or the cover or my outfit. I’ve never just felt like doing one thing in life and so it’s very fulfilling for me to be able to express myself in all the ways that I find inspiring. 

What’s a music rule you love breaking?

I grew up with classical music and a lot of judgement surrounding pop music, as it’s seen as somehow inferior. I love breaking the rules of what is considered proper art or high level. I allow myself to be messy and sloppy and cringe and embracing my weird dorky brain when it comes to the lyrics. This has been a journey I’ve actively been on with my music and it’s been very freeing. 

What’s your favorite/least favorite thing about making music?

My most favorite parts are coming up with the ideas and bringing the music to life in the studio. My least favorite parts are recording vocals and the anxiety and vulnerability of releasing the music. 

What’s your best networking tip?

If someone you admire and want to work with doesn’t notice you or respond to you at first, be patient and keep growing. Eventually they will. 

What’s one piece of advice you’d give to artists trying to break the mold?

Challenge yourself and be intentional about your art

What are you listening to at the moment?

Earth is Ghetto by Aliah Sheffield

Connect with DORNINA on Instagram | More Links

R&B Artist Nia Chennai Returns With Single Give It Up, Featuring Ella More

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Nia Chennai is an emerging R&B artist blending soulful melodies with honest, introspective songwriting. Born in South London and raised in Surrey, Nia grew up surrounded by a wide range of musical influences that shaped her sound and storytelling. She began writing original songs and posting covers online, drawing inspiration from personal experiences and the world around her.

In November 2023, Nia released her debut EP Diary Is A Waste Of Paper, which earned praise for its raw, relatable themes. The project explored love, heartbreak, and self-discovery through emotionally rich production and powerful vocals.

Nia now returns with Give It Up, a new single featuring fellow R&B artist Ella More. The track reflects on the clarity and strength that come with walking away from what no longer serves you.

“Give It Up” has such a strong message about walking away from what no longer serves you. Can you tell us a bit about where your head was at when you wrote it — and how that collab with Ella More came to life?

I wrote “Give It Up” when I’d fully come out the other side of a breakup, that point where you’ve found yourself again. So when me and Ella got to chatting, relationships came up naturally, and we both connected on that feeling of finally having the strength to walk away. It was something we’d both lived through, and I think that honesty really shaped the track.

We’d been wanting to work together since meeting at a show earlier that summer, so when she came into the session, it just flowed. Nothing was forced, we kept it real and got stuck in. I think you can hear that chemistry in the song.

You’ve been championed by platforms like COLORS and Earmilk, and worked with brands like Lemonade Dolls. Has anything surprised you about how your music has connected with people so far?

Honestly, when someone goes out of their way to tell me they love a song, especially in real life, and I can feel their excitement, it reminds me how many people I actually connect with. It’s mad! This year, one supporter even started a fan account (shout out to Holly — she’s a real one).

The fact that I’m just writing from my own experiences and people feel seen through that? That means so much. And getting support from platforms like COLORS is sick, I’d love to perform for them one day, so them taking notice shows I’m on the right track. Plus, it proves they’ve got good music taste, lol.

What’s one thing that’s helped you stay true to yourself as your career starts to build — whether in music, branding, or just life in general?

I’ve learned to check in with myself, how I feel, my vision, and what I see for myself in my career before I say yes to anything. I’ve actually been reading The Artist's Way, and it’s really helping me understand myself and what I want better. Whether it’s a song, a collab, or even a photo shoot, I always ask: “Does this feel like me?” Not every opportunity is the right one, so staying true to my path is the most important.

A lot of early-stage artists struggle with building confidence or feeling “ready.” What’s something that’s helped you push through those doubts and keep going?

If I waited to feel “ready,” I wouldn’t have released anything or done half the things I’ve done. You just have to be a little delusional and back yourself and then learn as you go. Every song, every performance, every awkward moment has helped build my confidence bit by bit. I’m still learning every time. It’s not about being fearless, it's about doing it anyway.

There have been times I’ve felt sick before going on stage, come off shaking, or dealt with serious imposter syndrome while creating and yet I still have this burning desire to keep going. One thing that keeps me going is a pic of baby nia on my Lock Screen I . I look at it and think, “I’m doing this for you, girl.” 

You’ve built a sound and brand that really feels like you — what advice would you give to artists trying to figure out who they are creatively and how to express that?

Try everything, but listen to what sticks. It took me some time to realise what felt natural and what didn’t, and that’s part of the process.

It can get really confusing comparing yourself to your peers or the greats before you. But most of the time, the real you comes naturally, that “natural sauce.” That’s why it feels wrong when you try to copy somebody else’s vibe. Don’t be scared to lean into your own.

You’re meant to stand out, so don’t hide. God didn’t give you this dream for no reason. Dig deep, get to know yourself, and show up for yourself every day!

Nia Chennai: Instagram & Tiktok | Listen to Give It Up

Cydnee with a C: Genre-Bending D’n’B and K-Pop

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Atlanta-born, LA-based artist Cydnee with a C is redefining the intersection of alt-pop, R&B, and liquid drum ‘n’ bass with her genre-bending new EP POV, out now via TH3RD BRAIN. Led by standout singles At Night, Love You Down, and Spend It, the six-track project explores themes of love, longing, and late-night introspection, delivering what SNIFFERS calls her “most vibrant and magnetic form.”

Cydnee first gained recognition in 2017 through features on Trippie Redd’s A Love Letter To You 2, before finding her voice as a solo artist with her 2023 debut Confessions Of A Fangirl. That release—a heartfelt ode to fandom culture—blended Jersey Club, R&B, and D’n’B into a sugar-rushed sonic palette, earning praise from Paper, Nylon, and Bandcamp, and racking up over 3 million streams.

Now, with POV, Cydnee continues to expand her kaleidoscopic sound, pulling from her deep love of K-pop and underground electronic music to craft immersive, emotionally charged pop at high BPMs. The rollout—complete with surprise pop-ups, exclusive merch, and upcoming performances in LA, New York, London, and Seoul—cements her as one of the most exciting new voices on the global alt-pop and drum ‘n’ bass scene.

What’s the story you’re telling with your new EP POV? 

My first dnb project was called confessions of a fangirl an POV is the perspective of a fangirl that loves music that makes you feel good. Hence my love for kpop cause it makes you feel good! I take stuff like forgiveness, heartbreak, and toxic situations and make it into sounds and feel good. Positive perspective.

If someone is hearing your music for the first time, what’s the one track they should start with to really understand who you are as an artist?

Cry Alone- its my first ever dnb record and i feel like so many can relate to the happy sad feeling that song has.

Your music blends K-pop influences with drum ‘n’ bass and R&B in a way that feels fresh and unexpected. What elements of K-pop inspire you the most—whether in production, performance, or the connection with fans?

I love that kpop takes serious and dope concepts and make them into a whole feel good experience. I love the melodies and concepts and i like to make my songs with those things in mind. And for the songs to feel good even if someone doesnt know what im saying.

Drum ‘n’ bass has a rich underground history, while K-pop thrives on global fandom. You sit at the intersection of both—where do you see the future of music and global pop colliding?

I see myself touring internationally and collaborating with kpop artist! I can see a record with myself, a hispanic artist, and a kpop artist! That would be so worldly and cool!

When you’re in the studio, what’s the one thing that always anchors your music, no matter the genre?

I love to freestyle and thats the number thing i always go by when creating. Because when you freestyle what comes out is real and original like its from god. lol.

What's your favorite/least favorite thing about making music?

I engineer and mix all of my music and i love getting free and creating but sometimes the mixing becomes too overwhelming.

3 things you can’t live without in your bag

airpods, lip gloss, snacks 

What are you listening to at the moment?

All i listen to is my own music and kpop its crazy. Le sserafim and Jennies new album is always on repeat

Follow Cydnee with a C

TikTok | Instagram | Spotify | YouTube | SoundCloud

Mychelle: From Busking to 2.5M+ Streams and Debut Album "Good Day"

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Hackney-born singer-songwriter Mychelle has just released her debut album Good Day, out now via FAMM—the independent label known for launching the careers of Maverick Sabre and Jorja Smith. The album captures a turning point for Mychelle as both a writer and performer, reflecting on difficult experiences and transforming them into soulful, uplifting songs.

A standout voice in UK soul and R&B, Mychelle’s rise has been steady and self-made. She first made her name busking on the streets of London, before being spotted at London Bridge and signed to FAMM. Since then, she’s gained critical support from Clash, The Metro, Evening Standard, and Dork, as well as airplay from DJ Target, Adele Roberts, and Jamz Supernova. Her collaboration with ENNY, Forbidden Fruit, has racked up nearly 2.5 million streams, and she’s released a string of acclaimed EPs, including Closure, Someone Who Knows, It’s Not You, It’s Me, and Me & Gaz.

Live, she’s played major festivals like Montreux Jazz Festival, Boardmasters, and Into the Great Wide Open, supported Michael Kiwanuka and George Ezra, and is now preparing for a packed summer—joining Jorja Smith’s UK tour and heading out on her own 10-date headline tour across Europe.

We caught up with Mychelle to talk about the making of Good Day, how she overcame creative blocks, and why this album feels like a full-circle moment.

What’s the story behind Good Day — is there a thread that runs through the album?

The final track on the project is called “Good Day” and when I was going to the studio the day I wrote it, I was having a string of bad days. When I left the studio, I was so excited by the song it literally turned in to a good day for me. When writing all of these songs it was the same feeling.

Good day is also a way of saying good bye and in most of the songs, i’m talking about letting go and saying good bye to the things not serving me. Being able to do that is always a good day too. 

“Seasons” came to you while on your way to play basketball — do you often find inspiration in those in-between moments, when you’re not actively making music?

All the timeee! I love making music when i’m cooking, walking, cycling, when i’m shopping - like you said the in-between moments. That’s when i’m not overthinking I guess. Making them in to a song is another story. Happy I managed to create Seasons and Sweet Nothings out of those moments though. 

You’ve said you used to be quite shy, but still chose to busk for years across London. What gave you the push to start — and what kept you going?

I started because I like to live by the quote ‘Luck is when preparation meets opportunity’ so in my mind if I’m out singing in public, frequently practicing my craft when opportunities come I will be ready for them. I feel like this has definitely served me well in my journey. 

What helps you stay grounded and focused, especially when the music industry can sometimes feel overwhelming?

Writing things down, working out/ going for a run & romanticising my life in tiny ways. 

What's your favorite/least favorite thing about making music?

My favourite thing is singing. I love to sing. Like the actual act of singing! I love it so much. 

Writer’s block is my least favourite thing. I hate it when I’m stuck and then I start over thinking. That then usually leads to me feeling like I’m not good enough and that’s not the one.

Mychelle on Spotify Instagram & TikTok 

98 Poly Breaks Down Her DIY Sound

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Growing up between the edges of Greater London’s rave culture and the open spaces of the British countryside has shaped the sound of producer, vocalist, and artist 98 Poly. Her music fuses industrial beats, analog synths, and manipulated vocals with surrealist lyrics that explore themes like time, perception, and imagination.

Tipped early on by Jamz Supernova as ‘one to watch’ after her debut single ‘360’, 98 Poly quickly gained support across BBC Radio 1’s Future Artists, BBC Radio 6 Music, Reprezent Radio, and the British Council’s Selector Radio. Her following singles—‘PIIAG’, ‘Earthstar’, and ‘Brakes’—cemented her as a rising figure in the UK’s underground electronic scene, earning her titles like BBC Radio 1’s Next Wave Artist and Dancefloor Moment on Jaguar’s Radio 1 Dance show.

She’s played live at venues including Corsica Studios, Pickle Factory, The Glove That Fits, Windmill Brixton, and The Lower Third, and has supported artists like Anthony Szmierek at his sold-out London headline show. In 2023 and early 2024, she took her evolving live set to new audiences in Bristol and Berlin.

Now, with her track Shallow Man becoming a fixture in her live sets—and the focus of her upcoming shesaid.so video breakdown—98 Poly opens up about her creative process, the challenges of producing solo, and how she finds inspiration on the days it doesn’t come easily.

What’s the story behind Shallow Man? 

For your shesaid.so video, you’ll be breaking down the making of Shallow Man. What’s one part of the production or songwriting process that you think more people—especially new producers—should pay attention to when crafting a track?  

I actually think knowing what part of the process you’re in is the most important thing to pay attention to. I think of it like wearing two different hats and making sure you’ve got the right hat on for the stage of the process you’re in. The 1st hat is playful. It’s the initial stages of songwriting/production and should be treated as playfully as possible; get all the ideas down, follow the thread, don’t ask too many questions or look for answers. Just get out of your own way.

Once you’ve got a busy messy project, put the other hat on. Look at the details, listen analytically, ask the questions. Where is everything sitting and is there room for it all? Don’t be afraid to mute/get rid of parts that aren’t adding anything to the production - bounce them out and find a home for them in another track.

You mentioned playing Shallow Man 101 times in your live shows to refine it. What changed from the first live version to the final recording?

I’ve always found it so helpful demo’ing a new track in my live shows - it’s live market research. I used to have 16bar pre-chorus that was super stripped back, mostly piano and vocal fx. I love exploring my more ethereal side in the music but this wasn’t translating live, instead it was making the track lose momentum. That was the biggest change, plus a couple structural changes. Nothing is ever lost though, I’ve recycled the ethereal pre-chorus and put it into something new !

As a producer, vocalist, and instrumentalist, you’re fully in control of your sound. What’s the most rewarding—and most challenging—part of being so hands-on?

Having autonomy over my sound is definitely the most rewarding part! I know what I like and don’t like, I know what I want to say and where I want my music to sit and having full creative control allows me to be my most authentic self.

I’ve sometimes found working in teams or with other producers on my own music has proved more detrimental than positive. People tend to have an idea of what you could or should sound like and in my experience, too many opinions in the early stages of the songwriting and production isn’t a good thing.

Get a small team of trusted ears around you and if you want opinions on your songs, ask the ears you trust. There’s a really amazing community of artists, producers and musicians in the UK underground scene that I’ve been able to connect with because of the music I make and it’s been so rewarding being part of that community; playing shows together, bouncing ideas to each other, and generally supporting one another on the ride! 

The most challenging part is knowing when a song is done - I guess it’s never really done but knowing when to say ok this has gotten to a place I really like and I’m happy now. Also not having enough hours in the day ! ! !

For those just starting out in music production, it can feel overwhelming—so much gear, so many techniques. What’s one thing you wish you knew when you first started producing that could help new artists today?

From someone who used to produce music that genuinely sounded like it was being played inside a baked bean tin, pay attention to frequencies like your life depends on it. If you have multiple elements sitting in the same frequency range, they’re going to get lost. Make space for each instrument and save yourself / your mix engineer a big clean up job!!

Tips for finding your creativity on a tough day

I’m always stealing from books, making a note of street names, voice-recording weird sounds when I’m out, taking photos. They usually collect dust on my phone or in my notepad but whenever I’m stuck for an idea I have a huge back catalogue of words, sounds and images that can jump-start an idea.

Creativity comes in so many forms, sometimes writing the song or producing the track isn’t working one day and that’s ok.

Step away from it, find inspiration or creativity elsewhere. Open a book, draw, go for a walk somewhere you’ve never been before. Listen to your body, inspiration can be found in lots of places.

What are you listening to at the moment?

Love being asked this! A list of some songs I’ve got on rotation that I hope will positively influence your life:

  • Makes u wonder - Bassvictim

  • FUN! - KUČKA

  • K1 - Aloka

  • Obvious - Oklou

  • Air Bnb Sonnet - The Hellp

  • Freak Baby - Izzy Camina

  • Depression Chamber - Samuel Organ

  • HOCKEY PUCK - Sweets

98 Poly on Instagram | Music

Neva Demure’s "Antidote" Blends ALT Pop & Electronics with Confessional Songwriting

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Photo Credit: Gil Curujeira

Neva Demure is a genre-defying artist, songwriter, and multi-instrumentalist reshaping the sound of electronic and alternative music. Emerging from the New York club scene with her hyper-pop debut EP Shame to Vengeance, Neva first made waves through tongue-in-cheek, hyper-sexual lyricism and bold sonic experimentation.

Now based in Berlin, she enters a new chapter with the release of her debut album Antidote via Movement—one marked by emotional rawness, stripped-back instrumentation, and unfiltered storytelling.

Written and recorded in 2024, Antidote is Neva’s most personal work to date, delving into themes of mental health, love, identity, and her lived experience as a trans woman in today’s political climate. Her latest single, Unnatural, channels that intensity into a fierce blend of distorted guitars, ghostly electronics, and urgent vocals—offering a darker, heavier edge to her evolving sound.

What’s the story behind your debut album Antidote?

Each song is its own antidote. They are like different flavors meant to be taken for different problems, while you´re just trying to look for a one-size-fits-all solution. It's just that discontent with life that exists inside and you don't know why. Probably childhood trauma or something, you try all these easy antidotes instead of facing yourself. Drugs, sex, toxic relationships, spending money, career obsession. They just always come up empty. There's no solution to any of the songs, until the end of the album. Even then, maybe it's only a solution if you´re looking to find one. By that point maybe it doesn't even matter.

Was there a specific moment while making Antidote that felt like a breakthrough for you?

When I started I wasn't sure if I was going to be making an electronic album or not, I knew I wanted a bit of guitar on it but assumed I would still be programming drums and using a lot of synths, creating more of a modern pop album. It wasn´t until I wrote Trauma Curl and realised it needed real drums that the album started transforming into a type of electronic/live acoustic instrument hybrid. I feel like that moment set the sound for the rest of the album. It was way more interesting to have a live drummer than to program a bunch of breakbeats and complex rhythms. It feels more human as a result. 

If Antidote were a film, what kind of visuals would it evoke, and who would direct it?

Claustrophobia, female lead who is crying a lot and smoking cigarettes, directed by gaspar noe climax vibe, a girl that likes to party wink wink.

As an artist navigating both the electronic scene and the queer music space, what changes do you hope to see in the industry for trans and non-binary artists?

I think there's a lot of assumptions about trans people in music and also just the music trans and queer people make and consume. I think it could be a lot uglier. I want more doom in trans music.

I´m really into Ethel Cain right now, her lyrics in particular. They are twisted. I like happy, hyperpop type music too but I feel like we need more of a sonic spectrum; I want to hear about trans people talking about how fucked up their lives are rather than this “I´m coming out”/”I will survive” anthem narrative. Where's our trans Kurt Cobain or Courtney Love?

The world is fucked, BRAT summer is a psyop. It doesn't matter if you're trans or not. 

Berlin has a rich underground music culture. How has being part of this scene influenced your approach to music and performance?

I totally get the reason why, say David Bowie, changed his sound so drastically upon coming here. Even though the wall is gone, it still has a thick energy. I really enjoy living here, even though there's alot to dislike about it.

My friends and community are amazing, and people don't care about as much superficial stuff as they do in New York or Paris. Berlin´s history didn´t inspire me to make minimal synth music, but it did inspire me to say something true to myself. 

Photo Credit: Gil Curujeira

Do you ever feel like music allows you to say things you wouldn’t otherwise say in words?

Probably not, I´m a yapper. I love talking. I could talk all day.

I like that in my music I don’t have to worry about being annoying. I can be funny, dark, heartbreaking, slutty, or whatever.

I like the idea of making my friends or fans think without having to actually talk to them. I like the idea of me putting my ideas into their head while they're cooking pasta or taking a bath.

What's your favorite/least favorite thing about making music?

Favorite thing is creating a world.

I loved making this album because I got to create a world to escape into lyrically, sonically, and visually.

Least favorite is probably the branding element. It feels like taking this baby you made, this whole world you put your heart into, and watering it down into something that feels like an advertisement.

Necessary evil, I'm actually starting to like it more I´m just really bad at it. I´ll get better. 

What are you listening to at the moment?

LOL in preparation of the album release I've been listening to bossa nova music a lot. Like Girl from Ipanema, Stan Getz and João Gilberto style. It's driving my girlfriend crazy and she says it's elevator music but it has been calming me down. I've been listening to Coil alot as well. PJ Harvey and Björk are always mainstays. My friend Lexci reminded me of Pantera and I forgot how good they are.

Neva Demure on Instagram & Bandcamp

Ray Lozano: From DIY Artist to 62 Million Streams & Sophomore Album 'SILK&SORROW'

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Ray Lozano, the German-Filipino singer, songwriter, and producer from Cologne, has quickly established herself as one of the most compelling voices in indie R&B and future soul. Following her groundbreaking debut album Pairing Mode in 2023—which garnered over 62 million streams and secured Lozano prestigious recognitions such as the Holger Czukay Award and NICA artist residency—she continues to innovate and captivate listeners worldwide.

Lozano has now released her highly anticipated sophomore album, SILK&SORROW, via Melting Pot Music. Known for her meticulous production and boundary-pushing sound, the new record sees her diving deeper into the emotional complexities of modern love, vulnerability, and the delicate balance between connection and detachment.

Her latest single, 'CAN’T LOVE', co-produced with long-time collaborator Samon Kawamura, showcases a return to traditional R&B roots while maintaining her experimental edge. With critical support from influential platforms such as CLASH, COLORS, BBC 1Xtra, and a featured slot on Spotify’s EQUAL playlist, Lozano's music continues to resonate deeply.

In this Q&A, Ray Lozano opens up about the inspirations behind her emotionally charged new single, navigating vulnerability through music, and the powerful narrative woven throughout SILK&SORROW.

What’s the story behind your album SILK&SORROW?

The title says it all: "Silk" gives you warmth and comfort, while "Sorrow" hits you with an emotional gut punch you didn't see coming. It's a reminder that softness and pain aren't mutually exclusive—they're two sides of the same coin, constantly present in our daily lives, whether we're ready for them or not. 

You’ve had support from COLORS, BBC 1Xtra, and Brick Lane Jazz Festival—what’s been the biggest moment in your journey so far that made you feel, "This is really happening"? 

When I got the confirmation for the Brick Lane Jazz Festival, it felt like a dream. Playing live with my band is always special, but this festival—my first show abroad—feels like something truly meaningful.

How do you find the balance between making personal music and making it relatable to listeners?

It’s all about laying your truth bare in your music while making sure the feelings behind it hit a universal nerve—because at the end of the day, we’re all just looking for something that speaks to our own chaos.

Describe your music in 3 words. 

Melancholic, Reflective, Vibey

What’s your advice for artists who are just starting out with home production and want to make high-quality music? 

Home production is all about finding your vibe—focus on learning the basics, experiment freely, and let your creativity shape the sound.

What’s one underrated technique that helps artists make high-quality music in a DIY setup?

Layering sounds like a mad scientist—stacking different textures and frequencies can turn a basic track into something that feels way more polished, even if your setup is as DIY as it gets.

What is your top networking tip for connecting with the right people in the industry?

Forget the forced small talk—just be yourself. No need to over-perform. Listen, ask questions, and focus on real connections. The right people will vibe with your authenticity.

3 things you can’t live without in your bag. 

Glossier Generation G in Leo, EarPods, Lucky Coin

What are you listening to at the moment?

The Mighty Tiny & The Many Few

Keep Up with Ray Lozano

Instagram | TikTok

EB Rebel: From Law School to Becoming an Independent Artist

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Born in Dallas and now based in NYC, EB Rebel chose to leave behind a legal career to focus on music—a decision that’s shaped their journey as an independent artist.

Blending intensity with playfulness, EB Rebel’s music reflects their versatility as an artist. Their breakthrough came in 2015 with a Black Lives Matter anthem that later appeared in a BET documentary alongside Kendrick Lamar and J. Cole. Since then, they’ve gained recognition from outlets like Afropunk, BET, and MTV, racking up over half a million streams while staying true to their sound.

Their latest track, “Buenas Noches” is a high-energy release from their upcoming EP, Play At Your Own Risk, out this Friday (Mar 28).

In this Q&A, EB Rebel reflects on their journey, the realities of being an independent artist, and what ultimately led them to pursue music full-time.

You ditched law school to pursue music—was there a single moment that made you say, “Forget this, I’m all in” or was it a slow burn?

It was during the time I was applying to law schools that I realized my heart wasn’t completely in it, that I needed to follow my true passion. I did well on my LSAT, and had a good GPA, so I have no doubt that I would have been a good student. To a certain extent I was doing what made my family proud, a career that society as a whole respects. But that wouldn’t have made me happy, I would have always wondered “what if”.

Your music moves between intensity and playfulness—do you feel like you’re two different people when you write?

This is an interesting question, I’ve never really thought about this. I just go based on feeling, and the instrumentation. But I guess that is my duality as an artist. I tend to bounce between intense songs (rather high energy or political) to more chill music to vibe to. I think it’s important to have different vibes in your catalog, to reflect the human experience. I personally get a bit bored with artists who are one note, we need variety!

You landed on a BET documentary soundtrack alongside Kendrick Lamar and J. Cole. Be real—what was your first reaction when you found out? 

It wasn’t until the documentary aired that I knew they were also a part of it. Those guys are lyric geniuses that also use their music to make a statement, and are at a height I hope to be one day. So yeah, I was LIT lol. It was surreal to be in their company, especially Kendrick who has been a huge inspiration. The way he makes thought provoking music that has replay value is something I strive to do. 

As an artist, what’s one thing you’ve sacrificed that people don’t talk about enough?

Ugh… money lol. Especially as an independent artist, all of the finances fall on your shoulders. If you want to be competitive, you can’t necessarily go cheap, you have to get the best within your budget. I’ve been told that the quality of my music and visuals are on par with major label artists, and I think that’s the goal. With what I’ve spent on music I could definitely have a nice cushion or a downpayment on a house. But music is my baby and I want her to be the best that she can be. 

Describe your music in 3 words.

  • Daring

  • Innovative

  • Thought provoking 

If someone’s hearing EB Rebel for the first time, what’s the one song you’d introduce to them?

Going back to an earlier question about different vibes in my music, it would depend on your mood. The most popular would be TEXAS COWGIRL, an upbeat southern hip hop song inspired by Solange’s “When I Get Home” rollout. She had cowgirl attire on in the visuals, and paid homage to Texas cowboy/cowgirl culture. I thought she looked dope af and it got the wheels of inspiration going. 

A song that always makes me emotional, and that is very personal to me would be “Mama, I’m OK”. It’s about my mental health struggles, and also features my mom’s voice. I think that’s one of the songs that really highlights my writing ability. I was told by a music executive that it gives a folk/hip hop vibe, which is funny being that I named it after a Bob Dylan song. 

What are you listening to right now? 

I’ve been on a TDE wave lately. It just so happens that three of their artists (SZA, Doechi, Kendrick Lamar) have some of the best albums out right now.

Connect with Eb Rebel on Instagram | Website

TRACE's Transgressive Pop Universe and New Album T4TEARS

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TRACE is a singer, songwriter, producer, and instrumentalist whose work reflects her bodily, gendered experience. Based in Cologne, she crafts a transgressive pop universe with guitars, multifaceted production, and vocals that shift between ethereal softness and raw intensity.

Her 2023 debut album, FUCKING AND DREAMING, challenged perceptions of transness, offering a radical exploration of identity through lush dream-pop soundscapes, emotional vulnerability, and unapologetic honesty. The album redefined how trans narratives could be expressed in music, making TRACE a bold voice in contemporary pop artistry.

With her sophomore album, T4TEARS (2025), TRACE explores trans childhood, grief, and healing, blending dream-pop with delicate, organic textures. Working with her voice, guitar, and effects, her process draws on poetry, improvisation, and collaboration with queer artists.

TRACE’s live performances captivate audiences, with standout shows at the Cologne Philharmonic and Whole Festival. T4TEARS marks her most vulnerable and daring work, reconnecting with her younger trans self through raw lyrics and acoustic elements.

What sparked the creation of T4TEARS, and what story did you set out to tell through this album?

I have this huge space inside myself filled with grief and mourning. It is continually being refilled by the various forms of fascism in this world. That space was already opened up when I was a trans child and teenager, unsure of where to turn or how to make sense of the things I felt. I didn’t know there were others like me, and it would take another ten to twenty years to discover that. For a long time, I despised that child. I wanted to kill her, to rid myself of her, and, in the process, to kill myself as well.

T4TEARS became my way of moving closer to that child and teenager, of trying to sit in a room with her, even though I really didn’t want to. But I felt that I needed to forgive her, to hug her, love her, ask her for forgiveness—if I wanted to continue living. So that’s what I tried to do. 

You’ve called this project a reconnection with your younger trans self—what was the most transformative moment in that process?

The most transformative moments were probably when I felt I had actually come close to what I set out to achieve—that I was genuinely having a conversation with my younger self, actually hugging or caressing her. Or when I felt that others—their words, their voices, their instrumentation—were doing it with me or for me, while they were also doing the same thing for themselves.

How did collaborating with your chosen family of queer artists shape the album?

It was instrumental this time around to have other people keep me and my younger self company, to open up that very solitary trans childhood and teenage space to community. It’s a way of refusing to leave that child alone and also refusing to be alone in the present.

In making the album, it meant I had to trust others as much as I trust myself in creating. That in itself became a beautiful, flowing, and connective process. It also meant I had to relinquish control in a liberating way so others could be just as central to shaping the narrative of the album as I was—sometimes even more so.

If you had to choose one song from T4TEARS to listen to forever, which one would it be and why?

It’s counterintuitive for me to pick favorites on this album, but if I had to choose right now, I’d probably go with “everything i want to say is here”. The song features two very good friends of mine—Ráhel Eckstein-Kovács on harp and Jenny Browne, who wrote and speaks the words on the track.

The way the instruments and voice listen and respond to one another is so beautiful to me. Jenny’s words, written in response to the rest of the album, oscillate and vibrate with my vision in a way that touches me on such a deep level. 

I also just love their voice and the way everything dissolves with the music into this perfect poetic mixture of mourning, depression, longing, intimacy, sex, and transformation.

What's your favorite/least favorite thing about making music?  

In the best case, music continually surprises me and lets me touch or approach something I didn’t know I could. Like with this album—you kind of have to take a leap of faith when making music, but if you do, you’re often gifted with so much in return.

The one thing I hate about making the music I make is that it’s not economically sustainable—and it never will be. I can’t do it all the time like I would love to.

If you had to describe your music using three words, what would they be?

Defiant, aching, joyful.

3 things you can’t live without in your bag

My hormones, my antidepressants, and my sleeping pills.

What are you listening to at the moment?

Lately, I’ve been stuck on Klara Lewis’s track “Thankful”. It’s an incredibly beautiful, lush piece, full of longing, sadness, and despair. Despite that, I always come back to Cleo Sol’s “Mother” every other day. Both give me a sense of calm, which I desperately need.

  • Interview by @ninakeh

TRACE - t4tears out now

Connect with TRACE on Instagram, YouTube, Website

Lusanda's TikTok Success with Cover Songs Earned her a Debut Single

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Photo Credit: Max Alcabes

Lusanda Ngcobo’s path to music wasn’t straightforward. Raised in Johannesburg, she spent much of her early life immersed in dance, marimbas, and choir singing. It wasn’t until she posted a cover of Outkast’s “Hey Ya” on TikTok that her voice took center stage, quickly gaining attention.

Collaborating with artists like Manana and Uncle Waffles, Lusanda honed her craft throughout 2023, shaping her sound into a unique mix of R&B, pop, and the jazz that influenced her upbringing. Her debut single, “When You’re Around,” produced by noxz, is a reflection of that evolution—blending dreamy R&B with soft percussion and warm synths. Lusanda’s airy vocals weave through lyrics about desire, insecurity, and longing, creating a track that is both emotionally rich and sonically fresh.

Now that “When You’re Around” is out, Lusanda is ready to fully step into her role as an artist.

Can you tell us the story behind your debut single, "When You’re Around"? What inspired the lyrics and mood of the track?

My debut single When You’re Around is beyond special to me, it came at a time when I really needed to get something off my chest. The song is about losing the essence of who you are in the name of getting to know someone and holding their attention - painfully universal feeling. I think it’s quite a relatable experience. After I found the beat scrolling one day, in my room on TikTok, I couldn’t get it out of my head. The beat is extremely hypnotic, and I loved that I could let the vocals reflect that smooth and sultry feeling while the lyrics are somber and kind of heartbreaking. So I wrote on and posted it on my TikTok and the producer of the song, noxz, asked if we should make it an official song, and of course I agreed! We worked on the songs back and forth on multiple calls from my home in South Africa and his home in the United Kingdom. 

You’ve mentioned that music was always in the background, but dance was your first love. How has your classical dance training influenced the way you approach music and performance?

Dance and music work perfectly together. They influence one another, so I pretty much approach music the way I approach dance. I learn the techniques and then I let my creativity and feelings flow. Classical dance training requires discipline and musicality and strength. You have to put in so much work to make a performance seem effortless. I take those lessons into my performances. The only thing I would say I try to break free from in music is creative rules. Classical alley has a lot of rules, which, generally, must be respected. Music requires expression and a break of a rule is sometimes just the thing you need to do to express yourself through a song or a performance. 

Your TikTok covers, especially the "Hey Ya" rendition, really blew up. How do you think social media platforms like TikTok have shaped your journey as an artist so far?

Social media platforms like TikTok have helped me reach so many eyes and ears across my country and continent, but also across the world. It actually blows my mind. I’ve always dreamed of having an audience to showcase my creative works, but seeing it in real time on TikTok, Instagram and YouTube has been crazy. It’s helped me with my confidence, and comfortability, as an artist in knowing that what I do is well received by many ears & hearts. 

If you had to describe your music using three words, what would they be?

Healing, Soulful, Soothing. 

What’s your best networking tip?

Take a deep breath, and enjoy who you are. Authenticity reflects easily when you’re comfortable within your skin. If you’re awkward and shy, so be it! Just take a leap and the right words will find you. Don’t forget to breathe! 

What's your favorite thing about making music? 

My favorite thing about making music is that it can be made from any place, and at any time! It is extremely liberating and enjoyable to have an outlet to express what words alone cannot do. 

Photo Credit: Max Alcabes

What’s your favorite way to unwind when you’re not making music?

A long, warm bath. I love it so much. I’m talking a 3 hour bath with all the bath bombs & salts, good music, candles; the whole shebang. It’s also when I get my really great creative ideas, so I do sometimes keep my phone at an arm's length to make a quick voice recording. 

What are you listening to at the moment?

Right now, I’m into a lot of South African jazz. Dare I say it’s one of the best jazz sounds in the world!

Follow Lusanda on Instagram, TikTok, YouTube

Stream When you’re Around

Friedberg's Hardcore Workout Queen

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Friedberg - Photo Credit: Lewis Vorn

Friedberg is an all-female four-piece bringing a hypnotic mix of dance-punk, indie, and guitar pop to every show.

They’ve been gaining momentum and even caught the eye of AnnenMayKantereit, who invited them to support their German stadium tour last summer. Recently, Friedberg wrapped up a U.S. tour with Giant Rooks after a strong showing at SXSW.

In May, they played the Jazz Café in London, opening for Big Special, and later that summer, they joined Placebo on their UK tour. This added to an impressive list of shows, which includes past tours with Hot Chip in both the UK - the band played a headline show at London’s iconic 100 Club on November 4 - and the U.S.

Their latest singles, released through Clouds Hill, are gaining attention and airplay on BBC 6 Music, Radio 1, and Radio X. Their upcoming album ‘Hardcore Workout Queen’ produced by Oli Bayston, is set to be released on November 8.

In this Q&A, the singer-songwriter and frontwoman for Friedberg Anna Wappel speaks about their album Hardcore Workout Queen, their creative process, and what’s next.

Your album Hardcore Workout Queen has such an intriguing title, what’s the story behind it?

Hardcore Workout Queen is a song on the album that I wrote in a really lazy mood, when I woke up one morning and everyone was running past my house for the third time while I was busy making my third breakfast. I was cheering for all the hardcore workout Queens, but I just couldn't participate. It's kind of a funny look on the whole self optimization obsession, but also in a loving way. It's a song for everyone, no matter if you're on the gym or if you're late in the sofa at home.

If you had to choose one song from your album to introduce people to your music, which one would it be and why?

I think maybe ‘Hardcore Workout Queen’ because I like the lyrics and the drive it has got, but as I can never ever decide, I would also like everyone to listen to 100Times too, because it is such a vibe

How has touring with bands like Placebo and Hot Chip been?

Both were super fun. The U.S. tour with Hot Chip was truly unforgettable! I think a few more dance beats snuck into our album after touring with them. And I’ve also worked in the studio on some new tunes with them which was amazing. The downside: I’ve realised that being a support band on tour is insanely fun, but also ridiculously expensive. I really wish there were more grants for touring musicians.

You’ve built a lot of momentum since forming in 2019. What advice would you give to new artists trying to grow and find their place in the music industry?

Trusting your gut. Trusting your gut. Trusting your gut. Learn to delegate, so you’ll get more time to actually do music. (That’s mainly an advice for myself haha)

What’s your best networking tip? 

Be curious to meet people. Don’t be scared to ask a lot of questions.

What's your favorite/least favorite thing about making music?  

The moment when you go to a studio with someone - with a producer, a friend or a bandmate - and you just go in there with nothing, completely blank, and you start to have a jam, and then write or make something up in the moment. It's super scary, but I like the thrill of it and I like to go home in the evening with something we’ve created. That’s my favorite thing.

My least favorite thing is finishing stuff. I find it really hard to make decisions, and the feeling of committing to a final thing, “this is it now, you can't do any more changes”… I love to have all the options, but then I also can't make decisions. So, I find finishing stuff really hard.

Friedberg - Photo Credit: Lewis Vorn

What’s your favorite way to unwind when you’re not making music?

Playing football. I started a football team in Hackney Wick, and we play once a week. It’s the only time I can truly switch off my brain—just chasing that stupid ball around!

If you had to describe your music using three words, what would they be?

Pop, dance, punk

What are you listening to at the moment?

Just discovered Joshua Idehen’s track “Mum Does the Washing“, when I was a guest at 6music’s Roundtable the other day. The lyrics are incredible and you’ve got to hear it. The music video is pretty amazing too.

Filah Lah Lah on Creating the First Ever Visual Album by a South African R&B/Soul Artist

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Emerging R&B and Soul artist Filah Lah Lah dropped her debut album On Air in May. Shortly after, she released the first-ever visual album by a South African R&B/Soul female artist, performing all 18 tracks in a 36-minute film that invites listeners on a journey of self-discovery, blending soulful melodies, introspective lyrics, and striking visuals.

Filah Lah Lah’s musical journey is rooted in her childhood, heavily influenced by her father’s love for Jazz, Funk, and Rhythm and Blues. Exposed to legends like Nina Simone, Miles Davis, Marvin Gaye, and Smokey Robinson, Filah has developed a distinctive sound.

In this Q&A, we caught up with Filah Lah Lah to dive into the creative process of her debut album On Air.

What’s the story behind your debut album "On Air"? 

On Air is really an archival ode to media. Media had a huge influence on my wanting to be an artist and I wanted to explore that in an artistic way. 

What influences your sound? 

My parents’ love for Jazz and Funk had a huge influence. I’m a student of black music in general and that’s definitely because of my parents and the love they had for it. I wanted to emulate that love.

We love that "On Air" has a visual film! What was the creative process behind?

The sonics were already giving movie to be honest. We just followed suit visually and it all just made sense.

If you could play only one song from “On Air” forever, which one would it be? 

Vaughn’s Song for sure. It took me a while to write a song about my late brother and I i’m still feel like Vaughn’s song doesn’t articulate those feelings in the best way but it’s close and I know he’d be proud of it.

What’s your best networking tip? 

Don’t worry too much about how you’re being perceived. Image may be everything but when you’re so concerned about it I think it can take away from the essence of who you really are. I’m a yapping oversharer who likes to make people laugh and honestly that’s been one of my greatest networking tools - within reason of course.

For more information on Filah Lah Lah

Instagram | Twitter | Tik-Tok | Apple Music | Spotify

AQUTIE: Celebrating NYC's Club Scene & Queer Culture in 'Coolest in The City

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Cover Photo by Emma Brawley

AQUTIE is an emerging artist who's gaining recognition in the music scene, having secured notable support slots in New York City for artists like Black Coffee and Uncle Waffle and performances alongside Dennis Ferrer, HoneyLuv, and Afriqua, with another show scheduled with Keinemusik at The Brooklyn Mirage on July 5.

AQUTIE curates her own event series “Heat House” in Brooklyn. The event showcases dance music across the African Diasporas and has attracted attendees such as Janelle Monae, Little Simz, Sir John, Jitwam, and more. Earlier this year, she performed at Tyla’s release party, and last year, she made her debut at Boiler Room with the amapiano party AMAPROBLEM in Toronto.

AQUTIE recently released her debut EP titled 'Coolest in the City' on Noir Fever Records (an independent label dedicated to driving sustainable and impactful changes in the future of Black dance music, founded by Aluna of AlunaGeorge).

How did you start your career in music?

I’ve been involved with music since I was young. I started out in the church by singing in the choir and as I got older my mom put me in many different activities like the violin, which I played for many years. I also danced as well and did theater. DJing came along while I was in college and I’ve been producing since 2020. 

Talk to us about your debut on Noir Fever Records

Noir Fever is an independent label created by Aluna (of AlunaGeorge). Their aim is to promote black electronic dance music and they support & provide a sense of community for those who are in these spaces. It’s also where I released my debut EP, ‘Coolest in the City’, which I’m so proud of.

What was the inspiration behind your debut EP ‘Coolest In The City’? 

‘Coolest in The City’ is my ode to NYC, the queer community, & the club scene. My homegirl is the one who actually gave me the title. She was just giving me my flowers and said, “you’re really the coolest in the city”. In that moment I felt very appreciative and very seen. For someone to see me in such a way made me feel good because being in this industry you go through a waves of emotions and sometimes it can make you feel like you aren’t doing enough. Meanwhile people are watching you and they’re seeing you make moves and watching your journey. So for me I felt very humbled that as she was giving me my praises. I felt loved. 

Can you share any favorite moments from your tour where you joined artists like Uncle Waffles, DBN GoGo, and Black Coffee?

One common feeling I had for each of those gigs was that I was apart of a monumental moment in South African music history. All of these artists were able to have sold out headlining shows in NYC and I got to be apart of those moments. For me it was like a dream come true. I felt very proud to be South African and was thankful to be apart of those moments.

How do you approach curating a setlist for performances such as Boiler Room or Brooklyn Mirage?

A lot of the time I am just going with the flow. I don’t plan my sets. Especially because my music is very organized, I always go in knowing that I’m good to go. I like to read the energy from the crowd because every gig is different so a planned set is not ideal for me. Like every DJ, I have my favorite tracks, but 98% of the time I’m winging it. I like to let the music guide me.  

What challenges have you faced as a South African/Guinean female DJ in the industry, and how have you overcome them?

Definitely people undermining me but also people being intimidated by me after I’ve shown that I’m good at what I do. I overcame it simply by making sure I protect my energy from those kinds of people. Some people wanna derail the good energy but my main thing is to always remember why I’m here and why I do what I’m doing. I have a great tribe of people that support me and we all lift up one another. Having community is the key to blocking out all the unnecessary noise.

What is your top networking tip for connecting with the right people in music e.g. a manager or a record label?

Just be yourself. Move with intention but don’t force things. Get to know the people outside of just doing business with them. Show support and be genuine. Also don’t be afraid of rejection. That’s just the reality of it. These people get hounded daily so a lot of them might be very cut throat and it’s okay if you don’t connect in that moment. There are so many other people to meet in this industry. You just continue being authentic and the right people will gravitate towards you.

Your top advice for young people wanting to become music producers/singer-songwriters etc.

Be patient! Don’t compare yourself to others because comparison is the thief of joy. Focus on yourself and on your mission. Don’t be afraid to be different. Find what makes you unique and really hone in on that. 

What's your favorite/least favorite thing about making music?

My favorite thing about making music is when I finally get the groove of what I’ve been trying to create. The least favorite is definitely when I get a road block but what helps me is stepping away and revisiting it later. I don’t like forcing things cause that’s when the music starts to sound a little weird.

What are you listening to right now?

Besides my new EP, I’ve been rinsing Kaytranada’s new album. I love it so much. That’s my musical husband.

3 things you can't live without in your bag

My Vaseline, gum & ID/bank cards

Emerging Artist AVR Delves into Philip Glass Rework, MUGLER Collaboration, and Debut Album 'Salvation'

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AVR (Anna von Raison) is a polymath who blends art, music, innovation, and tradition. Her work is influenced by diverse references like Philip Glass, Grimes, Stevie Wonder, and Bernini sculptures. Frustrated with the routine of academic jazz piano studies, AVR began producing music that captures the feeling-everything-all-the-time internet era.

AVR has scored films for brands like Louis Vuitton and Dior and worked as a studio pianist and producer for artists such as Charlotte Gainsbourg, Tusks, Soundwalk Collective, and Franny London. AVR also consults and performs in fine arts contexts, including Gropius Bau Berlin and the National Gallery, and serves as a music curator for events like Berlin’s ‘Long Night of Museums.’ Her song ‘Under The Sand’ features on the soundtrack of the US movie ‘After Everything.’

Her release, 'Etude No.2,' a rework of Philip Glass, came out on Glass' label with an immersive video collaboration with MUGLER. Supported by BBC stations and publications like CLASH, Rolling Stone, The Fader, and i-D, AVR's music gained international attention from the start. She has performed at notable venues like Berlin’s Philharmonie, Notting Hill Arts Club in London, and Baby’s All Right in New York.

AVR’s debut album ‘Salvation,’ released on June 7, reflects a softer, warmer sound, integrating her jazz and neo-soul influences. Independently published and four years in the making, it features guest soloists Viktor Wolf and Sylvia Hlynsdottir. The album, the final part of a trilogy, marks AVR’s evolution as a solo artist.

Describing her creative process, AVR says: ‘I love collaging and clashing musical bits that typically don’t live in the same world - I am looking for that new sound, seeking innovation but also romance. I try to avoid the dangerous temptations of musical training. Working from instinct, I give the subconscious free reign, into an ecstatic flow. For me, making music is like scoring the movies in my head.’

On ‘Salvation’, this approach results in hazy ambient journeys combining jazzy choirs,cinematic strings, Motown bass, trip hop drums, and bright vocals. Tame Impala-stylesynth solos appear, while experimental bits of sound toy with the warm breeze.

 "Salvation" is the final act of a trilogy. What’s the inspiration behind it? How does it connect with your previous EPs "Vibration" and "Hallucination"?

Salvation is the last part of trilogy that started with EP1 Hallucination and EP2 Vibration. This trilogy for me is part of my transition of mainly working behind the scenes as studio pianist, producer and composer for other artists, brands or film. Musically it’s the genesis of AVR as a solo artist in the sense that those 3 acts each represent part of my musical selves. Hallucination works with a lot of classical piano fragments, some that I composed, then one of Claude Debussy. Vibration, my second EP, is much more beat focused and has generally a darker synth-, more distorted and rebellious vibe. Salvation is the warm rain, the liberation, the letting go. There’s a lot of warmth and jazzy, souly references. I intended it a bit as a musical retreat. We live in such a complicated time and I still want to believe in the power of music to unite and remind us of our shared humanity. But I feel if we dont retreat from time to time you lose the energy to stay political and hopeful.

Can you share more about the process of collaborating with Philip Glass' label and French fashion house MUGLER?

I have been a big admirer of Glass’ works for a long time, and always loved Beck’s rework on a rework-only-album from 2012. At one point I just started to play around in Logic with the Piano Etude No.2 and once finished showed it to director Alex de Brabant who felt immediately inspired to do a video. We requested a wardrobe collaboration with Mugler and somehow our moodboard for the video convinced them to send a beautiful selection of pieces for me to wear in the video from Paris. After having put all the work in the music and a lot of money and time in the video I realized: We cant release any of it without a permission. I had absolutely forgotten about this legal situation since Philip Glass is a living composer. Extremely stressed about that I reached out to his publisher and we had to wait for months and months until we got the relieving news. In the end they would not only allow for both video and rework to be released but also asked me if I could see myself releasing my rework on Glass’ label Orange Mountain Music, which was more than I could have ever dreamt of.

How has your involvement with luxury brands like Louis Vuitton and Dior impacted your career/creative process?

Actually all my brand collaborations came directly through the directors, who were friends of friends or who heard of me through someone. I think big brand names can in some circles maybe give you ‘credibility’ in terms of what professional level you are able to deliver and if you can work in sometimes difficult circumstances. Often there are agencies involved, which means a lot of people with all kinds of musical taste are giving opinions and having to navigate that to get to a final result that everyone is at least ‘ok’ with can be hard. I also have quite conflicting feelings about big brands when thinking about our current environmental crisis, let alone workers’ conditions, and myself mainly wearing vintage clothes.

You’ve been a mentor for programs like ‘Girls Who Listen’ and ‘Keychange’. What’s your top advice for people wanting to become music producers/singer-songwriters etc.

I think essentially making music is translating, channeling emotions. And the better you are able to navigate the tools - like voice, instruments, DAW - the better, more precise and more personal that translation will be. So for that I think its important to just aspire to get better and know as much as possible/needed for what you want to express. Ultimately it just saves you from having to beg producers, mixers for their spare time and empowers you to work as much as possible autonomously. It’s sometimes a lonely process for me as I do it almost all on my own but it also allows for the maximum freedom. There are amazing initiatives, such as yours, out there to connect and share knowledge in safe spaces.

AVR | Photo by Alex de Brabant

Who are some of your biggest artistic influences and how have they shaped your work?

I think the reason I wanted to become a professional musician and study piano was a concert of Herbie Hancock as a teen. The feeling I had there was like nothing I had ever felt, so ecstatic and so good. Pretty much at the same time I was deep into the song books of Joni Mitchell and Marvin Gaye whilst having weekly classical piano lessons aspiring for the chords of Ravel. In general I am drawn to musical risk takers who dont become avant-garde-only, but still manage to be understood and appreciated by larger audiences. Be it Stravinsky, Thelonious Monk, Tyler The Creator, M.I.A., Björk. I like combining musical elements that dont naturally live in the same world together as I am always looking for that new sound, for innovation, but also for romance. And the romance part can oftentimes be in a hopefully timeless melody or the lyrics for me.

What's your favorite/least favorite thing about making music?

My favorite thing is starting new drafts, that fresh and exciting energy. Or moments in the studio, when creating with other people when you just sit there and feel the exact same high about something. The hardest are the last 10% of editing when it gets so incredibly tedious. And then there is the reality of being a musician in the time of social media. My main platform is instagram for communication and, like for most people, it creates a lot of anxiety and stress for me. I was also never an artist longing to see my face everywhere, I would prefer to let my music speak.

What's the weirdest inspiration you've drawn for a song?

It’s not really weird at all, but my favorite fine artist is Jenny Holzer who works with language a lot, which speaks to me deeply. My song SKIN uses her words/verses entirely.

3 things you can't live without in your bag

Its 2 for me: Heaphones & lip balm :)

** Interview by ninakeh for shesaid.so

Up Next: Jay Kent

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Hailing from Angeles, Philippines, 22-year-old Jay Kent is unapologetically queer and occupies the intersection of R&B and pop.

Alongside EP Entertainment, she’s developing her eclectic debut project with the likes of AyoTheProducer (Cardi B/Lil Wayne), Imani (City Girls/Quavo), ClickNPress  Alessia Cara/Dreamville), and Soko7 (Beyoncé), amongst others. Her unique tone has helped her garner over 130k followers and 1.2 million likes on TikTok.

Jay’s single “Texting” was released earlier this year and it’s an homage to the ever-opaque sapphic situationship. “Texting” finds Jay caught in a chronically online romance complicated by broken-down communication, yet oozing with irresistible sensuality. 

What's the story behind your single "Texting"? 

"'Texting' is a story about a relationship that avoids confrontation, people nowadays do everything online. They text and FaceTime. I can’t count how many times I’ve seen relationships start and end that way. This song was to talk about how people shouldn’t be afraid to talk in person."

What was a moment you loved while working on your debut project? 

Working on my music with so many talented and incredible people is definitely the “stand out” for me. I love being able to learn new things and absorb knowledge about something I love to do. Being surrounded by people with such good energy and good vibes."

What challenges have you faced as a young artist in the industry, and how have you overcome them? 

I can’t count how many times I’ve been put down for the way I look and my sexuality. I’ve been told that the norm is the only way to go and I guess embracing who you are is the only way to overcome all that. I’ve learned that we should stop caring about what people think, it’s either they like you or they don’t. It’s better to keep the people that matter the most and continue doing what you love to do without caring about what people say about you.

What's your favorite/least favorite thing about making music? 

It’s very difficult for me to have a favorite thing about music when I enjoy every bit of it. The process of making it, the end of the track when you finally get to hear the result, the reactions people make when they hear it. That’s the joy for me. I guess if I were to have a least favorite thing, maybe the lack of sleep? Haha. That’s on me though.

What is your top networking tip for connecting with the right people in music e.g. a manager or a record label? 

I don’t actually know the answer to this one, I never really looked for them. I just keep uploading content and try to make videos that I think people would enjoy. Something light and easy but different. I was incredibly lucky to have been found by EP Entertainment and I’ll forever be grateful to them. They’ve really opened a lot of doors for me when it comes to music.

How do you use social media to connect with your audience/share your music? 

For me, social media is just a fun way to express yourself. You have total control over what you do and I guess at the end of the day, you attract people that love what you do. I’m not really good at the whole marketing perspective on that. I just be me and hope for the best."

If you could collaborate with any artist who would it be and why? 

I would love to do a song with Beyonce. That’s if I don’t get rushed to the ER just being near her presence. I’m in love with her. Absolutely in love.

What's the most unexpected source of inspiration you've drawn from for your music? 

I get inspired at the most random times, like I noticed most of them is when I’m in the shower. Haha, though my emotions play a big part. Especially when I’m in love or when I’m sad. That’s when I end up pouring my heart out the most."

Connect with Jay Kent

TikTok & Instagram

Up Next: Britney Manson

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Photo Credit: Milena Zara

Multi-talented artist, model, influencer, and provocateur, Britney Manson began her music career in 2021 with the release of several singles, including collaborations with Bill Kaulitz (Tokio Hotel) and Tubegirl.

As a trans model and influencer, Britney earned opportunities on prestigious runways, including Paris and Berlin Fashion Week, and campaigns with Italian fashion houses Valentino and Etro. Britney has a rapidly growing fanbase boasting 2.5M followers on TikTok and over 4M monthly Spotify listeners.

Britney Manson, has released her latest single ‘American Dream,’ which will be accompanied by her first-ever music video (out April 19). The single follows her viral hit ‘FASHION,’ which to date has garnered over 120M streams globally.

Drawing from her own experiences and aspirations, ‘American Dream’ channels the relentless pursuit of success. Reflecting on her journey, Britney explained: “I want to be the most mainstream from the underground artists and most underground from the mainstream ones, that’s Britney fucking Manson!”

What’s the story behind your latest single ‘American Dream’?

This song is all about the dreams of being successful! It’s all about being unstoppable, “do or die” when it comes to your goals. I wanted to create the whole song as if it was a crazy insomnia, telling you “hold me…what you are waiting for? You can get me, but you need to work so hard! I am your dream!

‘American Dream’ nods to the sounds of the late 2000s and early 2010s. Aside from Britney Spears's 'Blackout' album what are 3 things that inspire you from that era?

At first, the one and only, Tokio Hotel- Humanoid album. It’s so underrated, but it’s one of my top-3 albums so far, even the best one. Up next is “Born This Way” album by Lady Gaga, it has a crazy influence on me as an artist. Kazaky, Far East Movement, Robyn, Will.i.am, Nicola Formichetti, Gareth Pugh…there’s a lot of inspiration! Early 2010s are so underrated, so lemme bring it back xx 

You’ve walked prestigious runways and worked with top fashion houses. How does your experience in the fashion world influence your approach to music and performance?

I’m addicted to the fashion industry since I can remember myself. I mean it’s not only about the clothes- it’s a different world, and you can be whatever you want, just create your own outfit and put some glitter on! I’d like to describe my music as a fashion core- I want to bring all the fashion energy into the music world. 

If you were to send a message to new fans to know you and your music better, what would that message be?

At first- thank you for listening, and welcome to my world! And Up next-Please read my lyrics, they’re so meaningful! Read every single word, it’s there for a reason.

A moment in your career that had the most impact on your work.

The morning when I was reached by Billboard and had a Vogue article. I’ll never forget this day.

What is your most valuable piece of advice for new artists?


 Stay on your side. Do what YOU want, the time will come!

3 women who inspire you

Lady Gaga, Britney Spears, Natasha Poly

What would a dream music collaboration be?

Lady Gaga and Tokio Hotel. 

3 things you can't live without in your bag

My lipgloss, cigarettes and AirPods 

What's one genre or style of music you haven't explored yet but would love to experiment with in the future?

Unpopular fact, but I’m listening to rock music during my whole life! Green Day, Linkin Park, Blind Channel, Evanescence, Quantic…it’s so unexpected, ikr :) not sure I’d like to switch my genre to rock only, but I’d love to try at least once!

Listen to American Dream

Britney Manson in social media: TikTok & Instagram

Website: https://britneymanson.com

Up Next: Kito

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Australian-born, LA-based producer, DJ, and songwriter Kito has steadily ascended in electronic, indie, and pop genres for over a decade.

Her notable collaborations include working with Skrillex and Aluna on 'Inhale Exhale' from Skrillex's Grammy-nominated album, QUEST FOR FIRE (Best Dance/Electronic Album) and a Grimes endorsed official release of 'Gold Touch,' marking Kito's first AI-generated vocal track.

Kito’s first official release came through Skream’s label Disfigured Dubs, with future releases on Mad Decent, Ed Banger, and Astralwerks.

Producing for a range of artists including Banks, Jeremih, ZHU, Channel Tres, Hudson Mohawke, Jorja Smith, and Fletcher, whom she received a Gold Record for her work on ‘Bitter’, Kito’s work has also landed her performances for Luxury brands like Gucci and Fendi. 

In 2024, Kito is returning to Mad Decent for upcoming solo releases and collaborations set for spring and summer, reflecting her London club scene upbringing.

"COLD TOUCH" released in 2023 featured A.I.-generated vocals from Grimes. What excites you about the intersection of AI and artistic expression?

The thing that excites me the most is the possibilities of cutting out tedious parts of the creative process. I’m not so excited about using AI to come with ideas - more about leveraging it as a tool to help me see my ideas through. 

As an artist who has worked across various labels, what insights can you share about getting in touch with record labels?

I’m not entirely sure if I have any secret tips here! I think labels are less and less important for artists starting out. For me, I had my heart set on a few labels to begin with and sent demos through social media. In my opinion, the best way to get a labels attention is to create a world with your music and audience yourself. 

Share a memorable behind-the-scenes moment while working on a collaborative project

I have so many! Doing a writing camp at Shangri La was pretty memorable. Just knowing so many amazing albums were made in the space we were working felt special. 

3 women who inspire you

My mum and my sisters.

Tips for finding your creativity on a tough day

Get outside and move your body! Or tap in a friend to share the burden of breaking through a block on your own. 

Your top advice for young people wanting to become music producers/singer-songwriters etc.

Have fun, and perhaps don’t quit your day job until you have to? I know that once I had to make money from music, it did limit my creativity for a little bit but once I found financial stability it opened up my creativity again as I felt less afraid to take risks. 

What's your favorite and least favorite thing about making music?

Favourite thing is the buzz you get when you make something you love with people you love, and least favourite thing is the self doubt. 

3 things you can't live without in your bag

paw paw ointment because I’m Australian, orange blossom perfume, a little chocolate treat 

An artist or album that's changed your life

Burial changed my life. I may not have started making music if it wasn’t for Burial.

Describe your morning routine

I love to get outside and get a coffee! 

Kito will be debuting her new project IS U IS U with Chrome Sparks with their first single 'All I Need' out on March 27th via Mad Decent.

Connect with Kito

Up Next: ANANYA

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Ananya’s Photo by Sophia French

Ananya, the Zimbabwean-born rising singer/songwriter based in London, is a multi-talented artist excelling in music. Her latest single, "Macy Gray," pays homage to the legendary artist and is part of her debut EP, "I Woke Up One Night." With over half a million streams, the EP features hit tracks like "Bad for You" and "Gone (Forever)," showcasing Ananya's emotive vocals and reflective songwriting.

Beyond music, Ananya co-founded The Nani Wellness Project to raise awareness about mental health issues in Zimbabwe. This showcases Ananya as a notable presence in the global music scene, combining her musical talent with a commitment to creative expression and mental health advocacy.

If you had to pick one song from your new EP to introduce someone to your music, which one would it be and why?

I think it’d have to be ‘macy gray’. I’m often back and forth when it comes to my favorite song from ‘i woke up one night’, but I tend to lean towards the more vulnerable, melancholic tracks. I think that ‘macy gray’ really encompasses a common feeling and tackles the concept that although tough, remembering the truth, rather than only the good, is vital in moving on. 

What's the weirdest inspiration you've drawn for a song?

Throughout this EP, being inspired by my dreams was a new point. It’s something that hadn’t ever happened to me, but I welcomed it with open arms when it came. It started with ‘bad for you’ when I woke up from a nightmare; I dreamed about disloyalty, which turned out to be very much true. It’s my weirdest inspiration - I still have a hard time explaining to people that I discovered the truth from a dream.

What advice would you give to young people wanting to become music producers/singer-songwriters etc

I’m still figuring this out but I try to create what feels most authentic to me, and work that I’m excited and passionate about.

Name one artist or genre that has influenced you/your music

I’m a massive Swiftie.. Taylor Swift has influenced both me and my music. She not only taught me songwriting but also the importance of filling songs with wit and power. Her role as a woman in music is inspiring, and I admire her full dedication to everything she pursues.

How do you overcome creative blocks? 

I’m still learning about overcoming creative blocks, but something that has been working for me lately is journaling and meditation. I have this superstition that if I stop focusing on overcoming my creative block, inspiration comes to me. 

What's one thing you hope your fans take away from listening to your debut EP?

I hope that anyone listening feels that they have something to relate to, and something to act as a companion to in life’s very real scenarios.

Connect with Ananya

Instagram & YouTube